Funkadelic
05.03.03
Funkadelic came into the life at just the right moment. I was a bit lost - I had left my Michigan sanctuary and had entered the wild northern Californian hippie vortex at seventeen for college - and luckily one of my freshman year neighbors had excellent taste in music. Turns out her introductory dose of Funkadelic in my life was just what I needed to start to make some sense of it all. Some.
And since then, I've been a loyal Funkadelic fan.
Most people collapse Parliament and Funkadelic into one, but I just can't seem to bring myself to do it. The groups are both the children of funk-father George Clinton (photo), but I still keep them distinct in my head. I'm just more attached to Funkadelic because of silly sentimentality associated with each song.
For an official declaration of how the two groups differ, here's a quote from this site:
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Funkadelic albums are heavily guitar-oriented, with lots of solos and instrumental pieces. A lot of the singing was done by the band members themselves. Horns are very rarely heard, and keyboard arrangements were mostly used for fills and melody. Parliament, on the other hand, was used as the main outlet for the five singers. Lots of doo-wop and gospel-influenced vocals, resulting in some beautiful, if occasionally bizarre, harmonies. Horns are prominently heard, with the occasional solo (Mothership Connection almost sounds like a jazz album at times). Keyboards and bass are the dominant instruments, with the guitars being left to drive the riffs. By the time the late 70's hit and the bands had four # 1 singles between them, the two groups started to sound more and more alike, especially when all of the splinter groups started up and everyone recorded stuff for them. The music became less rock oriented and more dance oriented, though at a very high standard in general.
I suppose Parliament is the snazzier of the two. As the baseline for almost every early rap song ever, Parliament is known for the big hits like "Flashlight," "Atomic Dogg," and "We Want the Funk."
But Funkadelic seems to be more varied to my ears. They run the gamut from crazy and funky to slow and mellow. Some of their slower songs I can listen to on repeat for hours, if in the right mood. They'll eventually make their way onto this site, but not today.
Instead, we'll do a well-known Funkadelic song, because it was how I first came to know them. "One Nation Under a Groove" is a toe-tapper, a head-bopper, a damn-why-the-hell-do-I-feel-like-puttin-on-my-dancin-boots piece of genius.
Listen to that percussion. Wild. How many instruments do you think there are total? Honestly. Plus, how can you not like a song that's man lyrics are "One nation under a groove, gettin' down just for the funk of it"? How can you not?
Download it here: download no longer available, contact me to find out how to get it.
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Sly
13.02.03
Here it is. Perhaps my favorite song. Sexy voice, groovy beat. I have certainly listened to it over a thousand times. I don't need to make an introduction. But for anybody that doesn't have it in their collection, you must get it. Now. It is absolutely imperative.
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Download it here:Sly and the Family Stone - If You Want Me to Stay - download no longer available, contact me to find out how to get it.
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Donny...
23.01.03
Not Osmond. Hathaway. I first discovered Donny Hathaway by the humble means of an excellent compilation series called "Blaxploitation," a four-volume set (two CDs per volume) made up of - you guessed it - songs from Blaxploitation films of the 60's and 70's. That means we're talking about the original "Shaft" or the original "Superfly," and not the scammy 90's and 2000 remakes. This series of CDs has probably influenced my musical collection to date more than any other lone source. I recommend to anybody interested in soul, disco, funk, and their offshoots, to invest in at least one of the volumes. Even if you know every artist on the back cover, the combination of songs is so well done that it is worth the money. Even in these file-sharing program days.
Donny Hathaway's first single, "The Ghetto," has remained a permanent in my playlist ever since I discovered the song six or seven years ago. It is an excellent song to walk around town to: it is upbeat, funky, and musically just amazing.
Donny has remained a bit of a lesser-known figure in the music history (besides his mediocre hit featured here, and a few bigger hits in the form of duets with another well-known star of the times, Roberta Flack) probably because his career was cut short by a mysterious suicide - he jumped off the 15th floor of the Essex Hotel in New York at a point when his career was just getting moving. He was 34 years old.
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But don't think about that while you're listening to the song. Put it on your headphones, go walking around town. I guarantee you, you'll be smiling to yourself throughout the whole thing. You'll walk with a little extra bounce in your steps or swing in your hips. You'll wonder why the hell you were stressing so much about whatever it was you had been stressing about. This song does that to me every time. Somehow "The Ghetto" makes the whole world move to its beat.
Download it here: - Donny Hathaway - The Ghetto - download no longer available, contact me to find out how to get it.
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